WJO CD DETAILS
VOICES - A MUSICAL HERITAGEis the Winnipeg Jazz Orchestra’s sixth release since their inception in 1997. This album is a collection of commissions from eight jazz composers meant to reflect some of Manitoba’s musical heritage: First Nations, Métis, Ukrainian, Jewish, Chilean, Brazilian, Nigerian and Icelandic.
Beginning with The Parallel Steppes, John Stetch’s creative three-movement suite reimagines Ukrainian folk songs using chorale textures, fugue-like sections and exciting up-tempo swings. Throughout the album, the WJO weaves its way through the imaginations of each composer: an homage to Victor Jara in Rodrigo Muñoz’s Homenaje, an exploration of the ancient pentatonic scale in Jeff Presslaff’s The Living Mind, a celebration of community with Henry Onwuchekwa’s Oriri, sweeping, icy landscapes and folk music in Richard Gillis’s Shadows, Marco Castillo’s plea for protecting our Earth in Choro para Amazônia, the magical northern skies in Andrew Belfour’s Ishpiming, and the driving, relentless pursuit of Michelle Gregoire’s The Bison Hunt. |
Voices - A Musical Heritage
Released: December 9, 2022 The Parallel Steppes / John Stetch 1. Keeyn ………………………….................................................………………...…… 7:27 2. Ochka ……………………………...............................................………..………… 3:00 3. Yaseni ………………………………….................................................…………… 7:30 Homenaje / Rodrigo Muñoz ………………........................…………… 7:44 The Living Mind / Jeff Presslaff …………………...................……… 7:03 Oriri / Henry Onwuchekwa (arr. Richard Gillis) ………… 5:41 Shadows / Richard Gillis ………………………….........................……… 7:33 Choro para Amazônia / Marco Castillo ………….............…… 6:08 Ishpiming / Andrew Balfour (arr. Richard Gillis) ……… 5:03 The Bison Hunt / Michelle Gregoire ……………....................…… 6:32 SOLOISTS The Parallel Steppes: Keeyn (solos: Will Bonness, piano; Larry Roy, guitar; Richard Gillis, flugelhorn); Yaseni (solos: Will Bonness, piano; Niall Cade, tenor sax) Homenaje (solos: Larry Roy, guitar) The Living Mind (solos: Will Bonness, piano; Jeff Presslaff, trombone) Oriri (solos: Neil Watson, soprano sax; Niall Cade, tenor sax; Will Bonness, piano) Shadows (solos: Paul Balcain, tenor sax; Joel Green, trombone; Neil Watson, soprano sax; Richard Gillis, flugelhorn) Choro para Amazônia (solos: Will Bonness, piano; Andrew Littleford, trumpet; Joel Green, trombone) Ishpiming (solos: Karl Kohut, bass; Andrew Littleford, trumpet; Niall Cade, tenor sax; Joel Green, trombone) The Bison Hunt (solos: Neil Watson, alto sax) |
ALBUM PERSONNEL. († SOLOISTS)
Neil Watson / alto saxophone (The Bison Hunt†), soprano saxophone (Oriri,†Shadows†)
Sean Irvine / alto saxophone (The Parallel Steppes, Shadows, Homenaje, The Living Mind)
Connor Derraugh / alto saxophone (The Bison Hunt, Ishpiming, Oriri, Choro)
Paul Balcain / tenor saxophone (The Parallel Steppes, Shadows,† Homenaje, The Living Mind)
Niall Cade / tenor saxophone (Yaseni,†Oriri,† Ishpiming†)
Monica Jones / tenor saxophone (The Bison Hunt, Ishpiming, Oriri, Choro)
Lauren Teterenko / baritone saxophone (The Parallel Steppes, Shadows, Homenaje, The Living Mind)
Kyle Wedlake / baritone saxophone (The Parallel Steppes, The Bison Hunt, Ishpiming, Oriri, Choro)
Shane Hicks / lead trumpet; flugelhorn
Andrew Littleford / trumpet (Choro,† Ishpiming†); flugelhorn
Matthew Walden / trumpet; flugelhorn
Richard Gillis / conductor; trumpet; flugelhorn (Keeyn,† Shadows†)
Joel Green / trombone (Shadows,† Choro,† Ishpiming†)
Francois Godere / trombone
Jeffrey Acosta / trombone (The Bison Hunt, Ishpiming, Oriri, Choro)
Jeff Presslaff / trombone (The Living Mind†)
Isabelle Lavoie / bass trombone
Will Bonness / piano (Keeyn,† Yaseni,† The Living Mind,† Oriri,† Choro†)
Larry Roy / guitar (Keeyn,† Oriri, Homenaje,† Shadows)
Gilles Fournier / bass (The Parallel Steppes, Shadows, Homenaje, The Living Mind)
Karl Kohut / bass (The Bison Hunt, Ishpiming,† Choro)
Fabio Ragnelli / drums
Victoria Sparks / percussion (Shadows)
Marco Castillo / guitar, percussion (Choro); percussion (Oriri)
Henry Onwuchekwa / bass, percussion, guitar (Oriri)
Rodrigo Muñoz / congas, cajón (Homenaje)
Neil Watson / alto saxophone (The Bison Hunt†), soprano saxophone (Oriri,†Shadows†)
Sean Irvine / alto saxophone (The Parallel Steppes, Shadows, Homenaje, The Living Mind)
Connor Derraugh / alto saxophone (The Bison Hunt, Ishpiming, Oriri, Choro)
Paul Balcain / tenor saxophone (The Parallel Steppes, Shadows,† Homenaje, The Living Mind)
Niall Cade / tenor saxophone (Yaseni,†Oriri,† Ishpiming†)
Monica Jones / tenor saxophone (The Bison Hunt, Ishpiming, Oriri, Choro)
Lauren Teterenko / baritone saxophone (The Parallel Steppes, Shadows, Homenaje, The Living Mind)
Kyle Wedlake / baritone saxophone (The Parallel Steppes, The Bison Hunt, Ishpiming, Oriri, Choro)
Shane Hicks / lead trumpet; flugelhorn
Andrew Littleford / trumpet (Choro,† Ishpiming†); flugelhorn
Matthew Walden / trumpet; flugelhorn
Richard Gillis / conductor; trumpet; flugelhorn (Keeyn,† Shadows†)
Joel Green / trombone (Shadows,† Choro,† Ishpiming†)
Francois Godere / trombone
Jeffrey Acosta / trombone (The Bison Hunt, Ishpiming, Oriri, Choro)
Jeff Presslaff / trombone (The Living Mind†)
Isabelle Lavoie / bass trombone
Will Bonness / piano (Keeyn,† Yaseni,† The Living Mind,† Oriri,† Choro†)
Larry Roy / guitar (Keeyn,† Oriri, Homenaje,† Shadows)
Gilles Fournier / bass (The Parallel Steppes, Shadows, Homenaje, The Living Mind)
Karl Kohut / bass (The Bison Hunt, Ishpiming,† Choro)
Fabio Ragnelli / drums
Victoria Sparks / percussion (Shadows)
Marco Castillo / guitar, percussion (Choro); percussion (Oriri)
Henry Onwuchekwa / bass, percussion, guitar (Oriri)
Rodrigo Muñoz / congas, cajón (Homenaje)
This project was made possible by The Canada Council for the Arts, along with additional support from the SOCAN Foundation, the Shevchenko Foundation, Manitoba Arts Council and Winnipeg Arts Council.
We acknowledge the support of the Canada Council for the Arts
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Reviews:
February 8th , 2023
No matter where in the world one looks, there is musical history worth exploring and celebrating—which is what the Winnipeg Jazz Orchestra sets out to affirm on its sixth album, Voices: A Musical Heritage. Winnipeg is the capital of Canada's Manitoba
Province, and Voices pays tribute to the area's rich and expansive musical fabric via a series of eight compositions designed to exemplify some of Manitoba's far-flung heritage: First Nations, Metis, Ukrainian, Jewish, Chilean, Brazilian, Nigerian and
Icelandic.
As with any album based on enduring themes, it is best to separate purpose from result and appraise the music on it own merits. In that respect, the WJO performs brilliantly, with no nuance or accent overlooked or undervalued. In other words, the ensemble is fully invested in the enterprise from the outset and plays with awareness and passion. Unison passages—even the most demanding—are easily mastered, while soloists are ready and able to add contrast and color when needed. Soloists' names are not given, which is the album's lone miscue.
As for the music, it spans the gamut from singular to swing, always with an impressive discernment of its own. The session opens on a Ukrainian motif with "Keeyn," the first movement of John Stetch's three-part Parallel Steppes suite, based on the Ukrainian folk song "Chorni Ochka Yak Teren," whose contrapuntal and chorale-like formats lead to the enchanting "Ochka," based on a second folk theme, and the dynamic up-tempo "Yaseni" (or Yaseny), whose sax soli, virtuosic piano discourses and hopak and kolomiyka rhythms bring the suite to a close.
Rodrigo Munoz' "Homenaje" which uses delightful Latin rhythms including the Chilean cueca to make its point, was written as an homage to the important Latin American musician and activist Victor Jara, Jeff Presslaff's "The Living Mind" as a paean to the pentatonic scale, developed in ancient civilizations and still used in various musical settings to this day. Henry Onwuchekwa composed and Richard Gillis arranged the colorful and light-hearted "Oriri," which means "party" in Onwuchekwa's hometown
in Nigeria, a marked contrast to the austere landscape painted in Gillis' Icelandic "Shadows," which follows. The orchestra nails each one, as it does Marco Castillo's luminous salute to the Amazon rain forest, "Choro para Amazonia"; Andrew Balfour's tantalizing bow to the Ojibway culture, "Ishpiming"; and Michelle Gregoire's ardent "Bison Hunt," the album's closest
brush with mainstream contemporary jazz. But jazz isn't the essential point here; reverence is. The WJO is honoring Manitoba's vast musical narrative and doing so as tastefully and proficiently as it can. Mission accomplished. And if you'd like to sample
another superb album in the same vein, check out the Saskatchewan All-Star Big Band's Saskatchewan Suite (Chronograph Records 094).
★★★★1/2
Jack Bowers
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Winnipeg Jazz Orchestra
June 27, 2023
Voices – A Musical Heritage
WJO CD 0006
June 27, 2023
Voices – A Musical Heritage
WJO CD 0006
Assembling 26 of the city’s finest jazz-oriented improvisers and composers in various formations, the
Winnipeg Jazz Orchestra’s 25th anniversary session collates 10 arrangements which reflect the varied
heritage of the Prairie city and beyond. The tunes range from non-member John Stretch’s three-part reflection on
his Ukrainian Canadian heritage to briefer explorations of Métis, Native Canadian and diaspora cultures, which
manage to be profound, celebratory and danceable all at once.
This is a musical, not an anthropological program however, so the band elaborations project the messages
through a notable collection of carefully modulated section work as well as distinctive trumpet, trombone and
saxophone solos, and most prominently, the attendant playing of pianist Will Bonness. Bonness’ output
encompasses exploratory clanks and clinks, responsive swing, formalized glissandi and player-piano-like riffs
depending on the circumstances. Moving from mellow trumpet portamento and muted reed vibrations Stetch’s
“The Parallel Steppes” integrates canon-like instrumental interplay, limited chorale-like vocal murmuring and, in its
second and third iterations, ups the tempo with chortling saxes, plunger brass and a swing groove, creating
sequences mid-way between Prairie hoedowns and Carpathian dances.
With breaks for percussion rumbles, contrapuntal horn vamps and brief string section interjections, the
Richard Gillis-conducted band concentrates on layered harmonies and decisive crescendos. Throughout the rest
of the disc interludes referencing African dance parties, South American folk songs and Native-Canadian
spiritualism mix with hard core jazz. Musically effective, Voices – A Musical Heritage, could definitely also provide
the warmth needed to endure Winnipeg’s sub-zero winter weather.
Ken Waxman - for MusicWorks Summer 2023
Winnipeg Jazz Orchestra’s 25th anniversary session collates 10 arrangements which reflect the varied
heritage of the Prairie city and beyond. The tunes range from non-member John Stretch’s three-part reflection on
his Ukrainian Canadian heritage to briefer explorations of Métis, Native Canadian and diaspora cultures, which
manage to be profound, celebratory and danceable all at once.
This is a musical, not an anthropological program however, so the band elaborations project the messages
through a notable collection of carefully modulated section work as well as distinctive trumpet, trombone and
saxophone solos, and most prominently, the attendant playing of pianist Will Bonness. Bonness’ output
encompasses exploratory clanks and clinks, responsive swing, formalized glissandi and player-piano-like riffs
depending on the circumstances. Moving from mellow trumpet portamento and muted reed vibrations Stetch’s
“The Parallel Steppes” integrates canon-like instrumental interplay, limited chorale-like vocal murmuring and, in its
second and third iterations, ups the tempo with chortling saxes, plunger brass and a swing groove, creating
sequences mid-way between Prairie hoedowns and Carpathian dances.
With breaks for percussion rumbles, contrapuntal horn vamps and brief string section interjections, the
Richard Gillis-conducted band concentrates on layered harmonies and decisive crescendos. Throughout the rest
of the disc interludes referencing African dance parties, South American folk songs and Native-Canadian
spiritualism mix with hard core jazz. Musically effective, Voices – A Musical Heritage, could definitely also provide
the warmth needed to endure Winnipeg’s sub-zero winter weather.
Ken Waxman - for MusicWorks Summer 2023
